In the Dime Stores and Bus Stations

My love she speaks like silence

Without ideals or violence

She doesn’t have to say she’s faithful

Yet she’s true, like ice, like fire

People carry roses

Make promises by the hours

My love she laughs like the flowers

Valentines can’t buy her

In the dime stores and bus stations

People talk of situations

Read books, repeat quotations

Draw conclusions on the wall

Some speak of the future

My love she speaks softly

She knows there’s no success like failure

And that failure’s no success at all

The cloak and dagger dangles

Madams light the candles

In ceremonies of the horsemen

Even the pawn must hold a grudge

Statues made of matchsticks

Crumble into one another

My love winks, she does not bother

She knows too much to argue or to judge

The bridge at midnight trembles

The country doctor rambles

Bankers’ nieces seek perfection

Expecting all the gifts that wise men bring

The wind howls like a hammer

 

The night blows cold and rainy

My love she’s like some raven

At my window with a broken wing

Love Minus Zero/No Limit

 

Great Railway Stations No.19: Hamburg Hauptbahnhof

The vast steel and glass train shed that spans 14 platforms at Hamburg Hbf was based on the Galerie des machines built in Paris for the Exposition Universelle of 1889 (casually and callously disposed of by the city authorities in 1910 to improve the view of the Champ de Mars).  An uninterrupted span was achieved with the support of steel trusses that flared out as they rose upwards and the hinged arch profile was identical to its Parisian ancestor.  It’s a through station with platforms set below street level - dramatic overviews of the station interior can be seen from the Nordsteg and Südsteg overbridges. The span measured 135 meters compared with 115 for the Galerie des machines.  Administration buildings and the main entrance were at the north end of the station, marked by two clock towers, one of which survived wartime bombing in 1943.  As planned, the buildings would have been decorated in Art Nouveau style but the story goes that Kaiser Wilhelm II took an interest and had them replaced with more austere Neo-Renaissance detailing giving a militaristic appearance more to his liking.  Planning the station was a complex exercise in rationalisation to combine the rail traffic from four existing termini, in and around the city centre, into a single through station.  An architectural competition was held and construction of the winning design took place between 1902 and 1906.  Today the city is connected by ICE trains to every major population centre in Germany and serves as a point of entry to European destinations for rail  travellers from Scandinavia.  Changes are on the way - in 2021 the city announced a competition for redevelopment of the station and surrounding area.

 

Mid-century Romance and Misadventure

Bernard D’Andrea, Saturday Evening Post, November 1957.

Romantic fiction was a staple offer in the pages of Saturday Evening Post and a legion of highly proficient illustrators were on hand to give visual form to tragic and comic stories of love and betrayal. Some of the visual interpretations reveal a psychological complexity in a single image, every bit as effectively as a narrative spread over 8 or 10 pages of text.  These illustrators were masters of gesture and expression, expert in capturing minute variations in body language to convey emotional subtleties.  This was an age in which prosperity and anxiety seemed to advance in step - the Cold War undermined the sense of national security along with a growing unease that over-consumption and the breakdown in community values as millions moved to the suburbs was corroding the American soul.  The fear of crime couldn’t be washed away by alcohol and barbiturates.  Communism was an ever present, if ill-defined threat to the American way of life and efforts to eradicate its influence fed the climate of political paranoia.  Casual violence toward women and children was broadly condoned while adultery and coercive sex were only condemned if they came to public attention.  Maintaining an appearance of moral rectitude was imperative - any fall from grace would be ruthlessly punished by community pressure as much as legal proceedings. Women were often unwelcome and underpaid in the workplace and protection from harassment and exploitation was minimal. All these threads could be found in popular fiction and may explain why so many of these images contain unsettling and ambiguous gestures, glances and facial tensions. Carefree relationships and romantic bliss are in short supply.  Surrender to passion is more common, perhaps because it paves the way to the high drama of disillusion, treachery, desertion and cruelty.  This selection of images are mostly from Saturday Evening Post - artists are identified and dates of publication supplied where known.  Some examples are better than others. The subjects all include a couple - among them are several examples of what illustrators referred to as “the clinch” plus a few from other fiction genres such as crime and adventure.

Unknown illustrator, Saturday Evening Post.

Alex Ross in Ladies Home Journal, December 1948.

Saturday Evening Post, illustrator and date unknown.

Joe Bowler, Saturday Evening Post, date unknown.

An expedition to a lingerie store illustrated by Joe De Mers for Saturday Evening Post.

Jon Whitcomb for the readers of Ladies Home Journal, July 1948.

Coby Whitmore for Saturday Evening Post, date unknown.

Saturday Evening Post, date unknown.

A frantic couple under siege - illustrated by Bernard D’Andrea, Saturday Evening Post, "The Hounds Of Youth" (1961).

Thornton Utz illustration for Saturday Evening Post.

Saturday Evening Post, illustrated by Edwin Georgi (1896-1964).

Saturday Evening Post, illustrator and date unknown.

James Bingham, Saturday Evening Post, December 1955.

Alex Ross in Ladies Home Journal, October 1948. 

Saturday Evening Post, illustrator and date unknown.

Coby Whitmore for Saturday Evening Post, date unknown.

Peter Stevens (1920-2001) for Saturday Evening Post, September 29, 1956.

Steamy mid-century romance illustrated by Jon Whitcomb for Ladies Home Journal, September 1948.

Coby Whitmore for Saturday Evening Post, 1953.

Saturday Evening Post, illustrator and date unknown.

Lionel Gilbert (1912-2005) for Collier’s Magazine, January 1952. 

Saturday Evening Post, illustrator and date unknown.

Peter Stevens (1920-2001) for Saturday Evening Post, date unknown.

Saturday Evening Post, illustrator and date unknown.