One of the glories of Baillie Scott's masterpiece, Blackwell, built 1898-1900 for the Manchester family of brewers - the Holts, is the generous provision of stained glass mullioned windows, often paired in inglenooks or punctuating long corridors. Their designs express a sense of joy at the beauty and transience of the natural world where everything appears to be in motion - flowers sway in the breeze, semi-abstracted bluebirds swoop from treetop to roof top. All is elegantly stylised in clusters of intersecting curves, organised in dynamic compositions. Smaller and cruder versions of these motifs can be found on many an interwar suburban front door, often in combination with rustic cottages with woodsmoke curling up into the clouds. Disappointingly I can find no online information about who designed these windows or who supplied them. Simpson’s of Kendal could have been the supplier but there’s no confirmation of this. It must be possible they were simply ordered from a catalogue though the design incorporating the Holt Coat of Arms must have been a special commission.
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