Throughout the 1950s, car designers in Detroit stretched and expanded their vehicles in all dimensions while applying ever more extravagant chrome decoration. Every piece of trim and every bodywork moulding was designed to emphasise the sense of horizontality. This brochure depended on the talents of illustrators to bring the car to life and inspire some excitement in the reader. Photography still had its limitations - an accomplished illustrator could subtly glamourise the product with discreet exaggeration and an imaginative way with colour. A wedding theme runs through the imagery and we see the menfolk drool over the external finish while the women are swooning over the spacious interior. There’s a touch of Hollywood about the wide-screen visualisation that places the viewer inside the vehicle while the ethereal bridesmaids dance in attendance. Detroit was a city of ad agencies that specialised in serving the auto industry and the illustrators they engaged would often go on to stellar careers elsewhere, armed with the depth of their experience in keeping one step ahead of the camera with their transcendent visions of automobile perfection. By launching the car as the Galaxie, Ford was capitalising on public interest in the space race - galactic space is the infinity of space. The name survived for 15 years until it was retired in 1974. 1959 Ford models would go on to win a gold medal at the Brussels World Fair for styling elegance - an unusual accolade for Detroit industry.
Showing posts with label ford cars. Show all posts
Showing posts with label ford cars. Show all posts
Wednesday, 10 February 2021
Wednesday, 7 March 2018
Snow on the Road
A North American winter is not to be taken lightly – weather bombs and snowmageddon are routine events. Especially in the North East and Midwest where massive snowfalls are reported every year with breathless excitement. Digging the driveway out of waist high snow was a common task, often shared with the family as shown here. These ads from 1930 to 1965 show Madison Avenue promoting the virtues of winter-proofed cars to an audience that needed no reminder of the perils of driving in snow and ice. Sporty associations were most favoured with the majority of cars pictured against a backdrop of winter sports – a ski resort is just about the last place where the affluent will be reminded of the existence of the lower orders. The merits of such refinements as triple-turbine transmission, a Super Jetfire Engine, a Vibra-Tuned Ride and swivel hipped handling are extolled in the text. For the reader with a strong stomach the final ad (Goodbye Mr Winter) is an egregious example of the art of the copywriter at its most long winded.
Labels:
advertising,
alex ross,
american illustration,
cars,
chevrolet,
de soto,
dohanos,
ford cars,
howard scott,
illustration,
motoring,
nash,
oldsmobile,
snow
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