An adoring group of female admirers have gathered to pay homage to the courage and skill of the neighbourhood snake handler. Look closer and all may not be as it seems - even though one of the group has fallen to her knees in homage, their expressions suggest they are less impressed and have sensed the defensive air of insecurity on the part of the snake handler. A lack of confidence can be read in his facial tension and his audience appear to be close to dissolving into scornful mirth. The stereotypical imagery falls clearly under the umbrella of Orientalism in its dependence on the exotic. I have another postcard of an Egyptian snake charmer that looks suspiciously like the same person - even the serpents look the same. Other examples are from Myanmar, India and Sri Lanka. Closer to home is the demonic grin of Henry Brusher Mills (1840-1905), celebrity snake catcher of the New Forest, pictured here with a fistful of writhing specimens. Charming was not part of his act. Armed with a forked stick he offered his services to anxious homeowners and it has been calculated he caught over 30,000 snakes in his lifetime - some of which were rendered down to create various dubious potions, others were boiled to reveal their skeletons for sale to tourists. In a rare interlude when not snake bothering, he lit up a pipe and sat for his portrait - the result can be seen here. After his death in 1905 he was buried beneath a rather handsome headstone in the churchyard at Brockenhurst, where you can now take a drink at the Snakecatcher pub.
Showing posts with label myanmar. Show all posts
Showing posts with label myanmar. Show all posts
Thursday, 21 November 2024
Tuesday, 12 November 2019
Postcard of the Day No. 95 - Animals on Board
Today’s card offers the arresting site of an elephant in a sling, hanging in space as it’s manoeuvred on or off a cargo ship. A desperately uncomfortable position in which to find such an imperious and dignified creature. The location is a port in Colonial Burma where the British authorities had many uses for elephants as a source of cheap, and uncomplaining labour. They were especially valued on timber plantations where they could be put to work hauling enormous loads of logs out of the forests for processing. Elephant traders got rich by capturing the creatures in the wild and selling them on to commercial interests for whom they were a prized asset. Elephants didn’t join trade unions or support campaigns for independence from the colonial masters. On the second card, a rudimentary steam powered crane is hauling an ox carcass on to the quayside in the port of Casablanca where it is about to be unceremoniously dumped. These are discomforting images and worrisome examples of indifference to animal suffering.
Labels:
burma,
casablanca,
crane,
elephant,
myanmar,
postcards,
shipping,
waterfront
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